Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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BALDASSARE ESTENSE
Portrait of a Young Man gg

ID: 04911

BALDASSARE ESTENSE Portrait of a Young Man  gg
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BALDASSARE ESTENSE Portrait of a Young Man  gg


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BALDASSARE ESTENSE

Italian painter, Ferrarese school (b. 1443, Reggio, d. 1504, Ferrara)  Related Paintings of BALDASSARE ESTENSE :. | St John Altarpiece (right wing) dh | A Boy and a Girl with a Cat and an Eel | Nha Chica | Two Singing Boys | Come unto These Yellow Sands |
Related Artists:
William Merritt Chase
American Impressionist Painter, 1849-1916 American painter and printmaker. He received his early training in Indianapolis from the portrait painter Barton S. Hays (1826-75). In 1869 he went to New York to study at the National Academy of Design where he exhibited in 1871. That year he joined his family in St Louis, where John Mulvaney (1844-1906) encouraged him to study in Munich. With the support of several local patrons, enabling him to live abroad for the next six years, Chase entered the Kenigliche Akademie in Munich in 1872. Among his teachers were Alexander von Wagner (1838-1919), Karl Theodor von Piloty and Wilhelm von Diez (1839-1907). Chase also admired the work of Wilhelm Leibl. The school emphasized bravura brushwork, a technique that became integral to Chase's style, favoured a dark palette and encouraged the study of Old Master painters, particularly Diego Velezquez and Frans Hals. Among Chase's friends in Munich were the American artists Walter Shirlaw, J. Frank Currier and Frederick Dielman (1847-1935)
Leon Bakst
Russian Art Deco Designer and Illustrator, 1866-1924
Domenichino
1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.






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